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“Opening Prayer”

I’m happy to announce that I’ve finished my third book of poetry, “Opening Prayer” (formerly known as “A Brief History of Prayer.”) The book represents work from the late 90s until now. I let it rest for a long while as I wrote a memoir, built up my commercial writing business and generally let life get in the way. About two years ago, I returned to the manuscript, and I’ve spent quite a bit of time on it this year, especially over the summer.

The first section was written before conversion; the last three sections reflect more the Catholic perspective I have today.

Drop me a line if you’d like to see samples.

The Beauty of a Strip Mall

I’m working on a new book of poetry called (so far) “A Brief History of Prayer.” The book is partially based on my business career, including six years as the communications guy in four software startups. But most of the work is the result of a religious conversion that I talk about in “I Have Wonderful News,” the memoir mentioned in this blog. The themes of work, faith, prayer, spirituality and art are intertwined to reflect what I think of as a sacramental view of the world where the physical can’t be separated from the divine, where objects burn from within, and where God is everywhere and always unexpected.

The first poem in the book, The Beauty of a Strip Mall, appears in Ruminate, a very fine magazine devoted to “chewing on life, faith and art.”

Digging Up the Yews

Over the years, I’ve planned several layoffs. It’s not a simple thing to do. You have to follow legal guidelines and the timing has to be right, with basically everyone hearing the bad news at once and then ushered off the floor. “We can’t have people sobbing in their cubicles,” as one HR director once told me. I’ve also been the manager who laid off those people, and I’ve been laid off myself. Twice.

I wrote this in New York as I felt the storm clouds gathering.

Digging Up the Yews

They laid off two more writers today. I still have a job at the agency, but this time I felt the ground shake. So far, we’ve gone through four rounds of “management-initiated separations,” as in “you’ve been Missed.” The first rounds were directed at other departments. But now the cuts are getting closer, and I’m beginning to feel like a dandelion on a lawn. Each time the mower passes, a few more of us fall, and nobody has a clear sense now of what will happen next month or even next week.

In the hallway, I talk to a manager who’s been dismissed after 28 years with the company. He’s 54. He’s taking it, as we say these days, “very professionally,” which simply means he’s being stoic about accepting what he can’t control.

When I come home, I’m still rattled. I have a wife and a two year-old son, and we live off what I make. Right now, I want to do something very simple and hard, something entirely physical, so after telling my wife what happened and giving my son a hug, I take a garden trowel, rake and hatchet and go out to the backyard to clear away the yews.

A cherry tree stands in the center of the yard. It completely dominates the area, but it also has to compete with a bushy row of yew trees left over from a previous tenant. The cherry tree is beginning to bloom, but some of the limbs are diseased, and our landlord says the tree may not last another year. Something about bugs. I clear away the twigs and leaves at the base of the yews and start to dig and hack away at the knobby roots.

From where I’m working, I can see Lauren standing at the kitchen sink, making supper. Harrison’s head is bobbing around at her elbow. He’s probably asking her about everything that she’s doing—he’s at that age. These days, I sometimes stand back and look at myself, at what I’ve become. Father. Husband. Provider. It still seems strange. Almost every day in the shower, I say to myself “I support a family.” And I do this not so much from pride—I’m only a fair provider—as from the need for a little help and orientation in the morning, like checking a compass or reaching automatically for the railing as I mount the stairs.

I never imagined a future like this. For years I only lived for myself. Now I have two dependents on my 1040 form, and I can’t take anything in the future for granted.

I remember when the stock market crashed in 1987. I was in a planning meeting with our clients. I expected to look out the window and see Forty-second Street filled with debris and paper, with office workers wandering through the traffic, dazed and gibbering. Of course, the street looked like ordinary business, and I remember we made jokes about bread lines and flying stock brokers. At that time, the issues seemed confined to Wall Street, and we hooked our thumbs in our vests and continued discussing our next five-year marketing plan.

The yews are stubborn, and as the sun goes down, I stop and catch my breath, then start to pull the smaller trees up by the roots, knocking the dirt away and cutting the branches into stove lengths. Yews can be attractive as an ornamental, but for some reason, I’m thinking of the word “selfish” as I cut. A selfish little bush starving this cherry tree.

The sky is almost dark, now. I can smell the magnolias blooming in the yard next door. It’s springtime. I’m scared. I’ve been through an acquisition, two mergers and three years of a major recession. I know that if I lose my job, I have all the advantages for getting a new one. I’m male; I’m white and middle class; I have a college degree and a marketable skill. I also know that people who look just like me have disappeared, and I know that advantages by themselves don’t pay the rent.

For a second I see us as a poor family, like Okies from the Great Depression, living out of a car. Lauren is sick and exhausted. The back seat is filled with silent, dirty kids in ragged t-shirts. I’m standing beside the highway, holding up a sign: “Will Work For Food.” I shake the image away. That’s stupid. Still, I’ve never felt so uncertain, felt so many things in my life become tenuous, as I have this year.

I brace myself against the cherry trunk and grab the roots of the last yew. It gives a little, stretching, then snaps underground with a deep, satisfying pop. I draw the roots out and stand up, sweaty. Lauren points out the window, asking Harrison to do something. It’s strange, but at the very time that I’ve felt most confined in my life by forces I can’t control, I feel the calmest. I stand in the yard, and, out of the blue, I say “I have chosen this life.” I like the sound. It’s comforting. I keep repeating the words:

I have chosen
this life. I have
chosen this life.
I have chosen this
life.

At first, I think the words mean that I determine the course of my life, master of my fate, captain of my soul. But no. That’s not right. What they mean is that I have accepted this life. I can make decisions, but only as a part of something larger, and that something will always, naturally, be beyond my will.

And as I lean against the cherry tree in the darkness, I’m surprised to have a dim, unwavering sense that I’m exactly where I should be, doing what I should be doing. If things go bad, if our fortunes sink, I’m sure I’ll see things differently. But for tonight, this acceptance, this embrace, is what I feel, so I hang on to the feeling as a gift. That’s enough for one day. That’s quite a bit.

Harrison appears in his bare feet. He walks to the edge of the bricks and scrunches his toes on the cool moss. Our prayed-for child. I gather my tools, and he asks me to come inside. Well, actually, he tells me: “Come in! Come IN from the DARK!” So I take his hand, and I do.

Vocation

Google “corporation” and “surrealism” and you won’t find much. I’ve always been puzzled by this because the corporate life can be quite surreal. Odd things happen, especially when the business starts to decline. We start looking for help in foreign places even as we know that help isn’t going to arrive.

Vocation

I’m going upstairs to the CEO. The elevator doors open, and I enter the management wing. Deep, plum-colored carpets. Mahogany doors. A receptionist is talking low into the telephone. She looks up, still talking, and her eyes follow me as I pass. I wander down hallways big as a landing strip. The floor is quiet and filled with light. Each room is empty as I walk by.

When I reach his office, the secretary is gone. I push at the steel door. It slowly swings open like a vault. The CEO is sitting behind his desk at the far end of the room. As I walk across the thick carpet, I can see that his eyes are flat and milky. The wind whistles faintly at the windows. He stares at the horizon, head tilted to one side, thoughtful. Like a desert king, his body has dried into a question mark, fragile and papery, the skin pulled back from his teeth. His hands rest lightly on the desktop. Through the broken skin, I can see the hollow bones in his wrists—small bones, like a bird’s.

I’ll have to rethink everything. I look out the window. Far below me, on the sidewalks, tiny figures are crawling back and forth, too tiny to be heard, too tiny to scream. I rearrange his arms. He’s about my size. There was something I was supposed to do, but I slip and the whole body abruptly slumps to the carpet. For a moment, the office slowly rises and falls, like the deck of a ship. Half in, half out of the world. The secretary appears cautiously at the door with a question. I tell her not to worry. I smile. I tell her to hold all my calls.

Divided Life

The next several posts will be about business and being a writer in the business world. This little rant and celebration was written when I was a copywriter at Saatchi & Saatchi, writing glossy brochures for IBM. Not a bad gig, actually, though you couldn’t have told me that at the time. I still love Pessoa, all of them.

Divided Life

Friday morning,
subway car, gray
faces in fluorescent
light roaring
through darkness,
nothing connected
to nothing. Don’t
think I can
face another week
without a fresh-
ness, oh something
to keep me breathing
faintly I swing
past Shakespeare &
Company late
for work as
usual shaking the rain
off bright
inside and looking
for poetry even a
page a line just
one clean breath of air
the window opening ahhh,
the cool breeze hmmmmmmmmmm
all over my face, can’t
STAND what I see on the shelves
these days, poetry
a business like everything
else American and then
I find him –
Pessoa… A line.
Then another. The window
opens! Yes! oh YES!
Fernando! You wild Portuguese!
Ahoy! Ahoy-hoy-hoy-hoy-hoy
back at you Fernando!
And there’s five of them
beating in the same throat!
All five Fernandos!
He’s insane! Even better!
And my heart is thumping
and my future belongs
to myself for an hour
as I march to the counter,
wake up the student (sack
crinkling like Christmas!)
and I’m off again and gallumphing
through puddles for another
day of divided life, raincoat
flapping, Pessoa madness
charming my lucky heart split
cracked! open and singing.