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	<title>Richard Cole &#187; Success Stories</title>
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	<description>Painting, Poetry and Faith</description>
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		<title>Packing the Books</title>
		<link>http://richard-cole.net/?p=133</link>
		<comments>http://richard-cole.net/?p=133#comments</comments>
		<pubDate>Mon, 22 Oct 2012 22:41:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Success Stories]]></category>

		<guid isPermaLink="false">http://richard-cole.net/?p=133</guid>
		<description><![CDATA[I came to New York to get what I could, but Success Stories shows what I had to give up. Maybe our life there was a way of subtraction that God might use to separate us from ourselves &#8212; not &#8230; <a href="http://richard-cole.net/?p=133">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>I came to New York to get what I could, but <em>Success Stories</em> shows what I had to give up. Maybe our life there was a way of subtraction that God might use to separate us from ourselves &#8212; not from the selves that He creates but from the ones that we make up, our egos that constantly fret, compete and compare. In my book, the last image is a library filled with empty pages. It seems to me like a kind of achievement, and I like to think of the book ending in silence, as close to the Truth as I could get at the time, standing on the other side of the glass. </p>
<p>&#8211;</p>
<p><strong>Packing the Books</strong></p>
<p>Another chapter.  Eleven years of New York<br />
madness is finished, and we&#8217;re moving away.<br />
I cull out all the books I’ve read and forgotten,<br />
asking myself what a man truly needs at forty five.<br />
I&#8217;ve forgotten what little I understood<br />
of Hegel and Locke, whole kingdoms<br />
of plants, the meanings of quarks,<br />
the Five Good Roman Emperors,<br />
math, the novels of Proust,<br />
and a rolling thunder of conjugations<br />
in four different languages, even my own.<br />
I save the poetry for last. Rows of aging<br />
paperbacks with cracked spines,<br />
yellowing pages. I look at the margins,<br />
the furious comments, words underscored<br />
two, three times, exclamation points … Oh what<br />
was I trying to love?</p>
<p>In the middle of life, I see myself still waiting<br />
outside a library deep in the woods.<br />
I stare through the window:  tier after tier<br />
of books bound in white leather, and I understand<br />
now that the books are empty, nothing<br />
but soft, blank pages.  I press my hands<br />
to the cold glass.  This is my heart,<br />
this silent building in the dark fir trees,<br />
and the lights are left burning all night long.</p>
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		<title>October Layoffs</title>
		<link>http://richard-cole.net/?p=130</link>
		<comments>http://richard-cole.net/?p=130#comments</comments>
		<pubDate>Mon, 22 Oct 2012 22:26:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Success Stories]]></category>

		<guid isPermaLink="false">http://richard-cole.net/?p=130</guid>
		<description><![CDATA[Almost every layoff I&#8217;ve seen involves some sort of grieving &#8212; for the job itself, for who we think we are in business and maybe for a faith that hard work will pay off in the end. But the image &#8230; <a href="http://richard-cole.net/?p=130">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>Almost every layoff I&#8217;ve seen involves some sort of grieving &#8212; for the job itself, for who we think we are in business and maybe for a faith that hard work will pay off in the end. But the image I remember at the time is a dandelion in full bloom given a hard shake &#8212; with all the seeds floating away on the wind. We all ended up in better pastures, eventually. </p>
<p>&#8211;</p>
<p><strong>October Layoffs</strong></p>
<p>I</p>
<p>Working in a troubled office, you develop<br />
a fine ear for door slams, like the managerial<br />
&#8220;Now see here!&#8221; &#8212; righteous and swift.<br />
But you also distinguish the other kind,<br />
still forceful but touched with a miserable hint<br />
of reluctance that says, &#8220;I truly hate<br />
to do this, but I&#8217;m your boss.&#8221; </p>
<p>II</p>
<p>Sitting at my desk, heart pounding,<br />
almost in tears, I listen to our supervisor<br />
talking rapidly next door. I put my ear to the wall,<br />
and I hear Pat say, &#8220;Well, I figured &#8230;&#8221;</p>
<p>III</p>
<p>Full moon, October. I lie awake<br />
half dreaming, drifting, and I see myself<br />
making the rounds at the office, saying<br />
goodbye, hugging each person in turn.<br />
&#8220;You&#8217;ve done a good job. Be proud.&#8221;<br />
Then immediately another image:<br />
I&#8217;m sitting tailor fashion on my desk,<br />
literally in burlap and ashes, head lowered,<br />
my collar open, cool air on my neck.<br />
A broad ax rises. I lower my head some more,<br />
and the ax slices easily through my neck.<br />
I feel my head tip forward<br />
and fall, blood washing my chest,<br />
soaking my shirt. </p>
<p>Startled, I lie in the dark. I&#8217;ve seen,<br />
I think, what I needed to see:<br />
that I&#8217;ll never work again for anyone else,<br />
not with my heart, not with faith,<br />
and I close my eyes, falling asleep<br />
and sleep like the dead until morning. </p>
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		<title>The Wild Deer at Armonk</title>
		<link>http://richard-cole.net/?p=117</link>
		<comments>http://richard-cole.net/?p=117#comments</comments>
		<pubDate>Sun, 21 Oct 2012 15:43:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Success Stories]]></category>

		<guid isPermaLink="false">http://richard-cole.net/?p=117</guid>
		<description><![CDATA[IBM has a number of corporate facilities in Armonk, NY. The buildings are perched on the top of a hill, very quiet and remote, like nature but not completely, like the royal deer parks in Europe. &#8211; The Wild Deer &#8230; <a href="http://richard-cole.net/?p=117">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>IBM has a number of corporate facilities in Armonk, NY. The buildings are perched on the top of a hill, very quiet and remote, like nature but not completely, like the royal deer parks in Europe. </p>
<p>&#8211;</p>
<p><strong>The Wild Deer at Armonk</strong></p>
<p>On the corporate hilltops outside New York<br />
we organize and soar.  </p>
<p>Outside on the lawn, wild deer press<br />
cautiously through the patchwork of late<br />
snow, quiet as the moon,<br />
to nibble at the thin, expensive saplings<br />
we traded for the woods.</p>
<p>Ghosts rise up out of our bodies<br />
like laundry, sway and look around, still<br />
hungry for the joy of finishing.</p>
<p>The deer approach dark windows, as lost<br />
in the starving spring<br />
as we would be without them.<br />
They would help us provide.  They would<br />
feed from our hand if we let them.</p>
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		<title>Business Class</title>
		<link>http://richard-cole.net/?p=115</link>
		<comments>http://richard-cole.net/?p=115#comments</comments>
		<pubDate>Fri, 19 Oct 2012 15:05:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Success Stories]]></category>

		<guid isPermaLink="false">http://richard-cole.net/?p=115</guid>
		<description><![CDATA[Working at Saatchi, I would fly down to Florida on a regular basis to meet with clients in Boca Raton. I wanted to memorialize that life somehow, leave a record of what we carried in those briefcases, me and all &#8230; <a href="http://richard-cole.net/?p=115">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>Working at Saatchi, I would fly down to Florida on a regular basis to meet with clients in Boca Raton. I wanted to memorialize that life somehow, leave a record of what we carried in those briefcases, me and all the other poets on the plane. </p>
<p>&#8211;</p>
<p><strong>Business Class</strong></p>
<p>The flight attendants maneuver their way<br />
down the darkened aisle, bending and smiling,<br />
checking our condition.  After three good<br />
bourbons, I glance around. I&#8217;m surrounded<br />
by people in business suits who look<br />
like me, the older ones reading,<br />
the younger ones pointing out bonus<br />
rewards in their sales catalogues.<br />
&#8220;Have a nice day,&#8221; the recorded message<br />
at the airport urges, in all sincerity.<br />
We&#8217;ve tried, in all sincerity.<br />
We&#8217;ve tried to make money, for ourselves<br />
and our homes and expensive families.<br />
We&#8217;re doing the best we can, living<br />
out of briefcases filled with Maalox<br />
and PERT charts, rental car tickets,<br />
stock quotes, cigarettes and gum.<br />
On the seat beside me, a senior man<br />
is already asleep, a finance review<br />
resting on his stomach, his mouth half open.<br />
Each year I tell myself that I&#8217;m leaving<br />
in the next few years.  A writer can&#8217;t<br />
live like this, can&#8217;t think, and yet<br />
if I had the perfect leisure to think,<br />
with endless mornings and a massive desk<br />
overlooking the ocean, perhaps I would think<br />
of nothing at all, or a little<br />
less each year.  No.  I have my heavy<br />
bills to pay, like every other poet<br />
on this plane.  So tell me this isn&#8217;t<br />
a life or a living.  Tell me that it all<br />
doesn&#8217;t count. </p>
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		<title>Night Song</title>
		<link>http://richard-cole.net/?p=101</link>
		<comments>http://richard-cole.net/?p=101#comments</comments>
		<pubDate>Mon, 15 Oct 2012 17:12:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Success Stories]]></category>

		<guid isPermaLink="false">http://richard-cole.net/?p=101</guid>
		<description><![CDATA[I think any conversion is a kind of mystery. We&#8217;re different now. But we&#8217;re not. But we are. That&#8217;s one of the reasons I keep this quote from Joan Didion: “I think we are well advised to keep on nodding &#8230; <a href="http://richard-cole.net/?p=101">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>I think any conversion is a kind of mystery. We&#8217;re different now. But we&#8217;re not. But we are. That&#8217;s one of the reasons I keep this quote from Joan Didion: “I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind&#8217;s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.&#8221; </p>
<p>&#8211;</p>
<p><strong>Night Song</strong></p>
<p>My son cries and I stumble<br />
over to pick him up<br />
and he hangs on my neck,<br />
dependent, and love<br />
twists deep inside me,<br />
the good knife<br />
working at the pointless<br />
tangle of old roots and fear,<br />
the baffled heart prized<br />
open by small<br />
and normal degrees …<br />
How easily<br />
we waste our lives,<br />
lavishly, with so little<br />
thought, and then<br />
such tiny<br />
socks.</p>
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		<title>My Wife Believes in Reincarnation</title>
		<link>http://richard-cole.net/?p=59</link>
		<comments>http://richard-cole.net/?p=59#comments</comments>
		<pubDate>Sat, 29 Sep 2012 19:06:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Success Stories]]></category>

		<guid isPermaLink="false">http://rccwriting.com/richard-cole/?p=59</guid>
		<description><![CDATA[I think of what I&#8217;ve written over the years as a sort of spiritual paper trail, most of which was finished before I believed in God or much of anything else. God was with me all along, of course. Where &#8230; <a href="http://richard-cole.net/?p=59">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>I think of what I&#8217;ve written over the years as a sort of spiritual paper trail, most of which was finished before I believed in God or much of anything else. God was with me all along, of course. Where is He not? When is He not? Creativity is spirited work, and aside from little spurts and bubbles, inspiration can only be encouraged, not engineered. I also think that God signs His work, and we can see that signature throughout creation, including what we make along with and through Him ― books, businesses, software, children, all sorts of things.  As Paula D’Arcy says, “God comes to us disguised as our lives.” </p>
<p>&#8211;</p>
<p><strong>My Wife Believes in Reincarnation</strong></p>
<p>I&#8217;ve never thought about money so much<br />
since moving to New York. Brooding in silence,<br />
I watch how the Chinese goldfish follow<br />
their lucky noses back and forth.  We need<br />
to build up equity.  Each month, half our income<br />
disappears for rent, but with interest rates<br />
and nothing in the bank, what can we do?<br />
My wife reads a book on &#8220;spiritual midwifery,&#8221;<br />
newborns blinking at the camera, wrinkled, astonished.<br />
The goldfish stare back, mild and brainless,<br />
happy enough in their temperate world.</p>
<p>In the crowded park on summer afternoons, we admire<br />
the children of others: toddlers squatting in the sand<br />
and ignoring the giant, assuming faces above them.<br />
Everything we&#8217;ve tried to create together<br />
has failed, except our life together.<br />
Our arms are empty.  We must have faith.</p>
<p>My wife believes in reincarnation.  In the nature shows<br />
on television, galaxies of bright spores float<br />
through darkness.  I kiss her shoulders.<br />
&#8220;That&#8217;s how I think of our souls,&#8221; she tells me.<br />
&#8220;Millions ascending, life after life.&#8221;<br />
I turn off the set.  She adds, &#8220;This child<br />
is simply waiting for its own sweet time.&#8221;</p>
<p>After love, I leave her sleeping and take<br />
my shower, washing off her lotions and oils,<br />
the fragrances, our sweat.  I towel myself dry, feeling<br />
the warm air on my body from the open window.<br />
Ferns tremble in the breeze moving<br />
through the dark apartment.  Someone calls<br />
from the street.  Tiny souls, the millions streaming<br />
lavishly through space, through time,<br />
simple and perfect, like snow.  </p>
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		<title>Waiting for Money</title>
		<link>http://richard-cole.net/?p=45</link>
		<comments>http://richard-cole.net/?p=45#comments</comments>
		<pubDate>Sat, 29 Sep 2012 17:36:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Success Stories]]></category>

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		<description><![CDATA[This is the first poem from my second book, Success Stories. Like “Pale Fish,” it’s about life in a sort of cave, a period when my wife and I were trying to pull together funding for a movie so we &#8230; <a href="http://richard-cole.net/?p=45">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>This is the first poem from my second book, <em>Success Stories</em>. Like “Pale Fish,” it’s about life in a sort of cave, a period when my wife and I were trying to pull together funding for a movie so we wouldn&#8217;t have to really work for a living. In the East Village in the 1980s, that all made sense. We lived on a sense of entitlement. We were artists, and our life was a movie, at least to ourselves.</p>
<p><strong>Waiting for Money</strong></p>
<p>We sleep late through the morning and make<br />
love quietly in the middle of the day.<br />
We&#8217;re waiting for the telephone to ring.<br />
Someone somewhere in California is reading<br />
our script. They&#8217;ll let us know next week, they say.<br />
My wife says it&#8217;s like waiting for your dream<br />
boat to ask you to the prom.</p>
<p>We&#8217;re living mainly on credit cards these days.<br />
Each week, I feel the easy trigger<br />
tighten as I sign for cash. We&#8217;re optimistic.<br />
In New York, the air is filled with impossible money.<br />
For the first time in years, we have all day<br />
to be with each other. We make a date<br />
for the Museum of Natural History<br />
on Wednesday nights when it&#8217;s almost empty.<br />
We study the natural defenses of the sponge,<br />
learn where the dinosaurs went wrong, carefully follow<br />
the moody spells of recorded shamans.</p>
<p>When we get home, the answering machine<br />
sits silent. We&#8217;ll watch the late show<br />
like insomniacs, or talk a bit, and I&#8217;ll fall asleep<br />
remembering the dark museum, the wolves<br />
racing through the moonlit forest, racing<br />
all night through the deep, blue snow.</p>
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